Christmas reading · 2026

Stories to share.
Worlds to wander.

Old wisdom in unfamiliar futures, little animal adventures to enjoy together, and a forest full of secrets. Christmas reading from Rebecca Vardy and N.J. Fernbird.

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Two authors · two imagined worlds · one shared website

Where futures and legends meet.

Rebecca Vardy writes adult science fiction about memory, survival, and old wisdom. N.J. Fernbird creates New Zealand-inspired fantasy for teen readers, with enough pace, danger, and heart to keep older adventurers turning the pages.

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Adult science fiction.

Fantasy with its boots on.

Adventure has no age limit.

Choose your doorway

Two authors.
Two kinds of wonder.

Rebecca Vardy and N.J. Fernbird are distinct authors working alongside one another. Each opens a different door: one into difficult futures, the other into dangerous, hopeful fantasy.

Rebecca Vardy · adult science fiction

Seventeen doorways
into the future.

Science fiction for adult readers, rooted in old wisdom, New Zealand landscapes, and the stubbornly human questions that follow us anywhere.

STANDALONE WORLDS

Novels beyond the series

Journeys through distance, memory, inheritance, and the worlds we carry with us.

FIVE-VOLUME COLLECTION

Whakataukī Among the Stars

Short science-fiction stories guided by Māori proverbs, carrying old wisdom into unfamiliar skies.

THE SAYING COLLECTION

Old Words of New Worlds

Familiar sayings become uncertain maps when language, consequence, and human nature leave Earth behind.

FIVE-BOOK COLLECTION

Whakataukī Beyond the Black

Māori wisdom carried deeper into the dark, where first contact, memory, and survival complicate every lesson.
THE COMPLETE SHELF Find Rebecca’s books on Amazon Australia
Two young adventurers crossing an ancient fern forest toward a luminous mountain valley
THE PATH OPENS / N.J. FERNBIRD

N.J. Fernbird · fantasy

Magic with mud on its boots.

N.J. Fernbird writes New Zealand-inspired fantasy for teen readers without ever talking down to them. These are stories with movement in their legs: danger, humour, loyalty, courage, consequences, and the sense that wonder is always one step beyond the safe path.

The voice is young, but the invitation is wide. Older adults who still want mystery, momentum, and characters worth worrying about are very welcome here.

TWO BOOKS PUBLISHED · FOUR MORE ON THE WAY

The Rainstitched Path and The Rejoining Threads are available now. The four-book Emberwood Chronicles will arrive on four consecutive Tuesdays from 3 to 24 November 2026.

AVAILABLE NOW

Two paths already open.

Published fantasy novels by N.J. Fernbird, ready to find through her Amazon Australia author store.

KINDLE PREORDERS OPEN

The Emberwood Chronicles.

Four connected novels of a falling city, broken roots, remembered places, and young people asked to carry more than anyone expected—releasing on four consecutive Tuesdays in November 2026.
Forthcoming cover for Emberwood Chronicles: The Call by N.J. Fernbird
EMBERWOOD CHRONICLES · BOOK ONEThe Call

A floating city built on forgotten truths. A forest that refuses to forget.

About this book

Fourteen-year-old Kahu Raukura has spent his life beneath Aorere, the magnificent city floating above Waimako Bend. The city is orderly, powerful and very certain about its own history. Then the Emberwood calls Kahu by name.

Drawn beyond the safe paths, Kahu discovers living roots, impossible guardians and traces of family memories that should never have been erased. With sharp-eyed Rina, practical Tama and one stubborn little bird beside him, he must face the Office—the authority that controls Aorere’s records and has no intention of allowing the past to wake.

Every answer leads deeper into the forest. Every step brings the floating city closer to a truth buried beneath its foundations.

The first book in The Emberwood Chronicles, a New Zealand-inspired teen fantasy adventure about courage, belonging and the dangerous comfort of a well-kept lie.

Forthcoming cover for Emberwood Chronicles: The Falling City by N.J. Fernbird
EMBERWOOD CHRONICLES · BOOK TWOThe Falling City

A floating city was never meant to touch the earth. Aorere is falling.

About this book

One living root now binds Aorere to the hillside, and the city above Waimako Bend hangs lower than ever. Cracks spread through its streets. Old smoke rises from places the Office sealed away. In Kahu’s hand, the emberstone shard has begun to wake again.

While officials argue over how to preserve the city, Kahu, Rina and Tama follow signs that point both skyward and below. Their search uncovers a damaged guardian, a dangerous splinter and the memory of a woman Aorere’s records insist never lived.

The truth could save the city—but only if Kahu can reach it before fear persuades the Office to sever Aorere’s last connection to the ground.

The second book in a continuous New Zealand-inspired teen fantasy series filled with living roots, forgotten histories, watchful birds and the occasional clipboard used with alarming confidence.

Forthcoming cover for Emberwood Chronicles: The Sky Beneath the Soil by N.J. Fernbird
EMBERWOOD CHRONICLES · BOOK THREEThe Sky Beneath the Soil

Beneath the forest lies a sky that should not exist.

About this book

Aorere is wounded, the emberstone shard is awake, and a deep humming has begun beneath Nan’s house. The sound is more than a warning. It is an invitation from a place erased so thoroughly that even the city above has forgotten its name.

Kahu, Rina and Tama descend into a world of backward rivers, stones that remember weight and stars shining beneath the ground. As guardians gather and lost things begin to return, Aorere’s own records start recovering the truths the Office buried.

But memory is not harmless. Aorere is beginning to remember, and the forgotten forest holds an answer capable of changing both the city and the Emberwood forever.

The third book in a continuous New Zealand-inspired teen fantasy series about friendship, family memory and finding the courage to hear an inconvenient truth.

Forthcoming cover for Emberwood Chronicles: The Echo Lantern by N.J. Fernbird
EMBERWOOD CHRONICLES · BOOK FOURThe Echo Lantern

The city has begun to remember. Now every stolen name wants to come home.

About this book

The guardians have returned to their paths, but the Emberwood is still calling Kahu. Beneath Nan’s house, a hidden name knocks from the dark. Above Waimako Bend, Aorere hangs low between living roots while its records struggle to restore the history the Office erased.

The final clues lead Kahu, Rina and Tama to the Echo Lantern, a light capable of revealing memories divided, altered and taken away. To heal the city, they must uncover what happened to Mae, Ari and the Raukura family—and bring the truth into the open where it can no longer be quietly corrected.

Some memories return as gifts. Others return carrying a reckoning.

The concluding book in The Emberwood Chronicles, a New Zealand-inspired teen fantasy adventure about homecoming, responsibility and the courage required to remember the whole truth.

FOUR BOOKS · FOUR NOVEMBER RELEASES Enter the Emberwood and preorder the series
N.J. FERNBIRD ON AMAZON AUSTRALIA Visit the fantasy shelf

From N.J. Fernbird’s side of the path

Notes from the edge of the forest.

Three glimpses into the landscapes, old wisdom, living memories, and small sparks from which N.J. Fernbird’s fantasy worlds grow.

AOTEAROA & IMAGINATION

Stories rooted in place

The landscape is never merely a background.

My fantasy is shaped by Aotearoa: its ancient forests, restless mountains, windswept riverbanks, quiet communities and abandoned streets where memory still lingers. These places do not need to be transformed beyond recognition before they can inspire wonder. Mist gathers in the bush as though the trees are keeping secrets. A fallen trunk resembles a doorway. A bird calling from deep beneath the canopy sounds less like wildlife and more like a warning. In my stories, land shapes the people who live upon it. Rivers divide communities or draw them together; forests shelter, challenge and remember. When Māori words, concepts or whakataukī appear, I want them to carry meaning rather than serve as decoration—grounded in relationships, responsibility, memory and belonging. Fantasy lets me ask what happens when people stop listening to the land, when old promises are forgotten, or when a damaged connection with place must be found again. The magic is imagined, but the questions are deeply human.

— N.J. Fernbird

FROM THE WRITING PATH

Cultivating stories

Stories send out roots before they reveal what they are becoming.

A fantasy realm may begin with something very small: a seed, a whispered name, an old map, a curious child, an unusual bird or a doorway that should not be there. Its deeper roots may lie in landscape, family history, lived experience and stories carried across generations. That is the quiet power of fantasy. It creates a meeting place between what has been, what might have been and what may still be waiting beyond the edge of sight. Young readers may recognise themselves in a character searching for courage or belonging; older readers may hear echoes of choices, losses and lessons gathered across a lifetime. On the Fernbird Fantasy blog, I share the paths leading into my books—characters, creatures, enchanted places, New Zealand inspirations, excerpts, writing updates and the occasional idea that escaped from the manuscript before I could stop it. The forest may be listening and the map may have ideas of its own, but something within the journey may still feel like home.

— N.J. Fernbird

“Because we can’t name what we haven’t loved.”— Rebecca Vardy, Leap Between Stars

From Rebecca Vardy’s side of the desk

Field notes from the writing desk.

For now, Rebecca is talking about stories, second beginnings, old sayings, and the wonderfully untidy work of building new worlds.

BEHIND THE WORLDS

Where the future really begins

Where the Stories Walk In

Ideas rarely arrive politely. They creep in while I am making coffee, washing dishes, trying to sleep—and especially while I am walking. Some of my strongest have come from the Christchurch red zone, where streets remain but homes are gone and the silence feels like a held breath. It is a broken landscape, but not a dead one. Grass pushes through cracks, birds move through the quiet, and nature clears its throat as if to say, ‘Right, you’ve had your turn.’ That tension—loss and renewal standing in the same frame—is often the first spark. A cracked road becomes a colony built on unstable ground. An empty section suggests a planet where the houses have moved but the ghosts have not updated their addresses. Science fiction lets me move deeply human truths sideways: grief becomes a planet that mourns, displacement a colony built over bones, renewal moss crossing the hull of a dead generation ship. A whakataukī gives me the heartbeat, the walk gives me the bones, and then the story puts on its own peculiar hat and begins causing trouble. That is where I find ideas: in the cracks, the silence, and the places where something has ended but the story, inconveniently and beautifully, has not.

— Rebecca

PROVERBS IN ORBIT

When old wisdom leaves Earth

Short Stories: Where They All Came From

Short stories are sneaky little things. They appear in notebooks, computer folders, half-named documents and, rather inconveniently, while I am making tea. Mine did not merely multiply; they formed a colony. I have now written fifteen short-story books, each holding sixteen stories—240 gathered into collections, with others still wandering about like sheep that have found a gap in the fence. Since I began writing proverb stories, they have grown in a different way. A whakataukī catches my eye, my heart, or that awkward part of my imagination that likes trouble, and suddenly there is a spaceship, a strange planet, a guardian, a broken rule, or someone facing a choice they never expected to make. Some stories find their place in books. Others suit the blog: the shorter pieces, the odd experiments, and those that arrived wearing mismatched socks but still had something to say. Even the abandoned ones matter. Not every seed becomes a tree; some feed the soil and teach you what not to plant again. These stories have taught me that small does not mean slight. A few pages can hold courage, grief, memory, humour, warning, kindness and wonder. So the cupboard is not bare. It is overstocked, muttering, and possibly breeding in the dark—a universe being built one short story at a time, with another cheeky little thing already tapping at the window.

— Rebecca

Working alongside one another

Two authors.
Two distinct voices.

Rebecca Vardy and N.J. Fernbird are separate creative entities, each with an independent voice, audience, and body of work. They work alongside one another while keeping their books, identities, and imagined worlds distinct.

Adult science fiction

Rebecca Vardy

I’m a retired grandmother living in Aotearoa New Zealand, writing science fiction with my feet on the ground and my imagination among the stars. Born and raised in England, I moved here about thirty years ago and have lived on both islands. Their quiet spaces, shifting light and landscapes that seem to speak all leave fingerprints on my work.

My stories carry old wisdom—proverbs, whakataukī, myth and folklore—into futures of starships, alien worlds, strange machines and ancestral memory. I love cosmic questions, but equally the small human moments: a meal shared under pressure, a promise kept, a bad joke at precisely the wrong time, or a tired person choosing kindness.

If my work has a signature, it is awe with backbone: practical hope, found family, whakapapa and humour when the universe misplaces the safety manual. Beneath the technology, people remain people, and what we owe one another—to whānau, crew, ancestors and those still to come—still matters.

Explore Rebecca’s books

Fantasy

N.J. Fernbird

I am a New Zealand fantasy writer whose stories are shaped by the wild and varied landscapes of Aotearoa. From ancient forests and restless mountains to abandoned streets, dark skies and windswept riverbanks, I find magic in places where memory still lingers.

I began writing seriously later in life, proving that stories arrive when they are ready rather than when the calendar expects them. Through fantasy, I explore belonging, family, courage and the unseen threads connecting us to the land, to one another and to the generations who came before us.

When I am not writing, I can often be found walking, gathering ideas from the landscape and attempting to keep pace with an imagination fuelled by curiosity, lived experience and a steady supply of tea.

Explore N.J.’s books
STARS & FERNS

Two distinct author catalogues. One shared home.

Keep in touch

Follow the signal.
Find the path.

News from Rebecca Vardy’s future worlds and N.J. Fernbird’s fantasy realms, gathered together in one place.